Ken Ochiai’s “Uzumasa Limelight,” pictured, took the Cheval Noir prize at the 18th annual Fantasia Intl. Film Festival in Montreal. Hugh Sullivan’s “The Infinite Man” was named best first film in the…
London-based company Cinesite VFX will join fellow VFX firms looking to benefit from tax incentives as it sets its sights on Canada. Québec premier Pauline Marois announced Monday that Cinesite is…
With the announcement of Technicolor’s plans to consolidate and expand its Montreal post-production and visual effects operations, Technicolor Digital Productions president Tim Sarnoff spoke to…
Bojan Vuk Kosovcevic's triptych is a despairingly effective vision of hell on the homefront, not for the faint of heart.
Ali Jaberansari's debut feature approaches the conflict between tradition and Westernization in Iran with sly satire and humor.
Pascale Ferland's debut narrative feature is a likably low-key slice of life that explores depressing lives in a depressed small town.
Juliette Binoche plays a photojournalist caught in a war zone in this gripping, emotionally resonant drama from director Erik Poppe.
Danni Reisfeld's film about a young man's attempts to rise above his crime-ridden ghetto life is rough, formulaic but effective.
Opposites attract and little life lessons are learned in this innocuous but thin romantic comedy set during a tour of a college campus.
Finnish director Ulrika Bengts effectively downplays familiar themes and narrative beats in this handsome drama.
Costa Rican writer-director Gustavo Fallas' agreeable first feature is an unassuming slice of modern neorealism.
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