IFC Films has acquired North American rights to Stephen Belber’s “Match,” starring Patrick Stewart, Carla Gugino and Matthew Lillard. The deal was made two months after the film premiered at Tribeca…
FX has helped set the bar pretty high for moody crime dramas, and held up against that standard, "The Bridge" simply doesn't measure up. Infused with gritty atmosphere and an intriguing setting — set…
FX is crossing "The Bridge," giving a 13-episode series order to the Scandinavian import that will now get a U.S. imprint.
2016-2017 Oscar Predictions
- ‘Sully,’ ‘Patriots Day,’ ‘Deepwater Horizon’ Could Crack Film Editing Oscar Race
- Oscars: ‘Rogue One,’ ‘Suicide Squad,’ ‘Fantastic Beasts’ Advance in Visual Effects Race
- Warren Beatty Honored by Kirk Douglas, Don Cheadle at Santa Barbara Fete
- Playback: Ben Foster on ‘Hell or High Water’ and Being a ‘Builder’ as an Actor
Sentinel Pictures has come on board "Blood Drive," picking up Christian Parkes action thriller spec screenplay with plans to shoot this fall.
"Deep Dark Canyon" is essentially an old-fashioned, nice-outlaws-on-the-run meller redolent of everything from "High Sierra" to "Butch Cassidy and the Sundance Kid."
ARC Entertainment has acquired North American distribution rights to Matthew Lillard's directorial debut, "Fat Kid Rules the World."
Outsider Pictures will represent international sales rights to Matthew Lillard's directorial debut "Fat Kid Rules the World," which will have its market premiere in Cannes.
Affecting performances and effective storytelling are the hallmarks of actor Matthew Lillard's debut effort as a feature director.
Disney has found four more thesps to round out the cast of its Gore Verbinski-helmed actioner "The Lone Ranger."
"The Descendants" tackles some of the prickliest issues a contempo family can face with such sensitivity that it's hardly noticeable you're being enlightened while entertained.
Feature scenarist-helmer James Merendino got a solid aud response to "SLC Punk," but then the night's odds were stacked in his favor: How could an opening-night Park City crowd not embrace a movie…