With the announcement of Technicolor’s plans to consolidate and expand its Montreal post-production and visual effects operations, Technicolor Digital Productions president Tim Sarnoff spoke to…
London Visual Effects
Richard Ayoade branches out from "Submarine" with this dark and heady dystopian-noir cocktail adapted from Dostoevsky's novella.
Formula One adversaries James Hunt and Niki Lauda's larger-than-life bout for the 1976 world championship title fuels Ron Howard's exhilarating "Rush" — not just one of the great racing movies of all…
This smug but effective middlebrow crowdpleaser shrewdly mines its real-life material for laughs and righteous anger as well as tears.
The second installment in the “Hunger Games” series will premiere in London on Nov. 11, Lionsgate announced today. “The Hunger Games: Catching Fire” debuts in theaters worldwide on Nov. 22. Jennifer…
The Oscars are no stranger to protests, both on the podium and on the surrounding streets, but Sunday's street rally of visual effects artists was unlike any other. It's a running joke in vfx circles…
When I started covering the visual effects realm there was a "big four" of vfx companies: Industrial Light & Magic, Digital Domain, Rhythm & Hues Studios and Sony Pictures Imageworks. Two of those…
The late-year steering committee meeting of the Academy of Motion Picture Arts & Science's visual effects branch is always a long night. This past November, though, things got heated as well.
Visual effects company Digital Domain Sunday night confirmed it sale to Galloping Horse America and Mumbai-based Reliance Mediaworks for $30.2 million.
B.C. city now rivalled only by London as vfx center