French director Antoine Boutet knows better than to wade into the political quicksand surrounding China's Nan Shui Bei Diao project, though he instinctively recognizes the enormous potential, both…
Locarno Film Festival
You can't blame a gal for wanting to take a break from a scruffy, ambitionless boyfriend like Sami after four years. Audiences may feel the same way after just four minutes.
As Yuletide offerings go, Charles Poekel's "Christmas, Again" might as well be called "It's a So-So Life" — a downbeat but never outright depressing reminder that the holidays tend to look a lot less…
Raucous, rowdy and regrettably scatter-brained, Cem Kaya's side-splitting essay film "Remake, Remix, Rip-off" marks a noble, albeit disorganized effort to convey the appeal of vintage Turkish pop…
A couple of graffiti kids with the social engagement of well-meaning teens express themselves in the Colombian city of Cali in "Los hongos."
A toast to all that those who didn't endure the Holocaust take for granted, French director Jean-Jacques Zilbermann's "To Life" finds the silver lining in the 20th century's darkest cloud.
A self-absorbed, low-rent wheeler-dealer tries to motivate his gumptionless son in Bonifacio Angius' monotonous drama "Perfidia."
For those absolutely convinced of the genius of Lucien Castaing-Taylor and Verena Paravel's "Leviathan," along comes J.P. Sniadecki ("People's Park") with his sensory documentary "The Iron Ministry."
Argentine helmer Martin Rejtman makes a predictably unpredictable return to features after a 10-year hiatus with "Two Shots Fired."
Docu helmer Gabriel Mascaro makes his fiction feature debut with "August Winds," an atmospheric, meditative drama with nonfiction elements set in Brazil's northeastern Alagoas state.
Filipino director Lav Diaz, who headed the international competition jury at last year's Locarno Film Festival, returned to take the top prize at the Swiss sprocket opera's 67th edition with his film…