Lame humor and underdeveloped drama plague this trite tale starring Fanny Ardant as a woman having an affair with a man two decades years her junior.
Last Days on Mars
Magnet Releasing has acquired U.S. rights to sci-fi thriller "The Last Days on Mars," two months after its debut at the Cannes Film Festival's Directors Fortnight.
This found-footage tale of astronauts searching for signs of life near Jupiter is a reasonably plausible and impressively controlled achievement.
Domestic Film DAILY
PROVIDED BY: Box Office
No Good Deed
No Good Deed1Daily:$1.2M Cumulative:$28.9M Sony / Screen Gems -35.29%
Guardians of the Galaxy
Guardians of the Galaxy2Daily:$586,451 Cumulative:$307.9M Disney -24.71%
Dolphin Tale 2
Dolphin Tale 23Daily:$506,166 Cumulative:$17.6M Warner Brothers -28.02%
In a town where lying is art form, Paul Feig is a fervent believer in honesty.
This elegant, geographically vivid pic is considerably leaner than its melodramatic premise might suggest, though wan characterization makes it less immediately engaging than "A Screaming Man."
A murkily derivative sci-fi-horror entry that basically amounts to "Red Planet of the Dead."
Rounding out its Cannes slate, Focus Features International has come on to handle worldwide sales on director Julien Temple's unititled Marvin Gaye biopic. Jesse L. Martin stars as Gaye along with…
"Senna" director Asif Kapadia is developing an untitled documentary on the late singer/songwriter Amy Winehouse with Focus Features introducing the project to buyers at Cannes.
LONDON — Producers from Montenegro and the Republic of Kosovo will take part for the first time in European Film Promotion's Producers on the Move program at the Cannes Film Festival in May. Sehad…
"We Are What We Are," "Magic Magic" and a Jodorowsky double bill are set to unspool in the Cannes sidebar.