Now that you're out of a job, Jeff, you're probably getting lots of advice about your next career move, so here's mine: If a company offers you a position similar to the one you held at Warner Bros.…
Alexander Payne's sixth feature is another low-concept, finely etched study of flawed characters stuck in life's well-worn grooves.
Google is erecting its Big Tent in New York City.
2016-2017 Oscar Predictions
- ‘Sully,’ ‘Patriots Day,’ ‘Deepwater Horizon’ Could Crack Film Editing Oscar Race
- Oscars: ‘Rogue One,’ ‘Suicide Squad,’ ‘Fantastic Beasts’ Advance in Visual Effects Race
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- Playback: Ben Foster on ‘Hell or High Water’ and Being a ‘Builder’ as an Actor
Braiding the stories of a disparate ensemble variously affected by the malleability of online identity, all arriving at the same predictable moral conclusion, this decently acted pic should easily…
"The Descendants," "The Artist" and "Rango" took feature film kudos as the American Cinema Editors gave out their ACE Eddie Awards.
Although it had been almost five years since they'd last worked together, "The Descendants" editor Kevin Tent said he felt perfectly in sync with Alexander Payne once they reunited in the editing…
Michael Kahn has received dual nominations from the American Cinema Editors for "The Adventures of Tintin" and "War Horse."
The pic at times feels out of step with contemporary reality and humorless in its adaptation of a comic bestseller.
"The Descendants" tackles some of the prickliest issues a contempo family can face with such sensitivity that it's hardly noticeable you're being enlightened while entertained.
As gooey and lacking in protein as a holiday bonbon.
Jane Fonda returns to the screen after 15 years as more a high concept than an actual character in "Monster-in-Law." This shrill, undermotivated, feature-length catfight between Jennifer Lopez's…