The casting of Ashton Kutcher turns out to be the sole risky element of "Jobs," a smooth, reasonably engaging but not especially revealing early-years account of Steve Jobs' storied career.
A movement aimed at bringing more film and videogame scoring to L.A. has emerged and the AFM has been a primary target of criticism.
Nothing's quite as it seems in "Dream House," an initially teasing variation on the haunted-house movie that pivots in a radically different, uninspired direction.
At 53, John Debney is one of just a handful of feature film composers today who worked his way up the system.
Composers, music supervisors behind pix in pipeline.
Following the mindset of so many recent CG kidpics -- the gabbier the script, the better -- "The Ant Bully" is lovely to look at but a headache to listen to. Visually dazzling cross between "Antz"…
"Liar Liar" is as surefire a commercial comedy as it gets. Awfully funny at times and carefully calculated to hit as many mainstream audience demographics as possible, pic looks to score as heavily…
More “John Debney” on Variety.com
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