As Russian supper club entertainment goes, “Natasha, Pierre and the Great Comet of 1812″ could put belly dancers out of business. In this smartly engineered transfer, Dave Malloy’s innovative musical…
A sporadically engaging martial-arts extravaganza that looks even better compared with its predecessor.
Lincoln Center Theater’s stunning production of Douglas Carter Beane’s “The Nance” is a textbook example of how to put on a classy show. It helps to have a bona fide (and certifiably bankable) star…