The whole is largely equal to the sum of its parts in "10+10," a collection of 20 five-minute shorts by 10 established helmers and 10 emerging talents on the "uniqueness of Taiwan."
It's "Lights! Camera! Passport!" in the celebratory docu "Let the Wind Carry Me."
A small and delicately handled feature from young Dutch helmer David Verbeek.
A (deliberately) abstruse melange of romantic memory and time-shifting elements.
Asia's premier public and industry event, the Pusan Film Festival, celebrated its 10th birthday on Thursday with a celeb-heavy opening night screening of Taiwanese vet director Hou Hsiao-hsien's…
Hou Hsiao-Hsien bills his latest work an homage to the great Yasujiro Ozu. In "Cafe Lumiere," Hou uses Ozu's "Tokyo Story" as a quarry to construct an emotional landscape of isolated individuals…
After the success reaped by his Summer At Grandpa's, Hou Hsiao-hsien is back with another beautifully controlled and highly nostalgic picture of childhood, based on his own boyhood, a period…