Now that second-screen viewing and audience participation are mainstays, networks can gauge immediate fan reactions and be a part of the conversation. Just how they choose to do that depends on the…
Facebook isn't making a phone -- yet. But when AT&T stores started selling the HTC First on April 12, Facebook got one step closer to fi xing one of its biggest problems: not having a major mobile…
Following the suit of the Lone Star state's "Everything is bigger" dictum, the minds behind South by Southwest Interactive are capitalizing this year on the Austin-centered fest's cutting-edge…
Domestic Film DAILY
PROVIDED BY: Box Office
The Equalizer1Daily:$3.6M Cumulative:$40.7M Sony / Columbia 22.26%
The Maze Runner
The Maze Runner2Daily:$1.3M Cumulative:$60.2M Fox 29.30%
The Boxtrolls3Daily:$862,914 Cumulative:$18.9M Focus 17.65%
By midday Monday, as word spread in the visual effects community of that acclaimed vfx studio Rhythm & Hues would declare Chapter 11 bankruptcy, the already-jittery artists wondered who would speak…
Picking up where "Leap of Faith" left off, "Scandalous" is another big-budget, evangelist-with-feet-of-clay tale from the hinterlands, and despite various prior incarnations, it looks woefully out of…
Songkick, the online concert info database that claims 6 million users, has launched Tourbox, an artist-oriented service that syncs an artist's concert tour info across a broad array of fan-friendly…
Foursquare is checking in at UTA.
Kathie Lee Gifford has been knocking on the pearly gates of Broadway with "Saving Aimee" since 2007, when the show debuted at Virginia's Signature Theater to mixed reviews.
Savvy cable networks, eager to extend their brands outside viewer living rooms, have discovered that while Facebook and Twitter are useful, location-based social media services like Foursquare and…