Atom Egoyan's starry dramatization of the West Memphis Three case transforms a fascinating tale of small-town prejudice and miscarried justice into a surprisingly staid courtroom drama.
Magnet Releasing has acquired U.S. rights to sci-fi thriller "The Last Days on Mars," two months after its debut at the Cannes Film Festival's Directors Fortnight.
Few series have demonstrated the unforgiving nature of the media and TV's Web-connected super-fans better than "The Killing," which drew them in with its hypnotic pace, then disappointed many with…
Domestic Film DAILY
PROVIDED BY: Box Office
The Maze Runner
The Maze Runner1Daily:$7.8M Cumulative:$32.5M Fox -42.23%
A Walk Among the Tombstones
A Walk Among the Tombstones2Daily:$2.9M Cumulative:$12.8M Universal Pictures -42.27%
This Is Where I Leave You
This Is Where I Leave You3Daily:$2.7M Cumulative:$11.6M Warner Brothers -44.36%
A murkily derivative sci-fi-horror entry that basically amounts to "Red Planet of the Dead."
Tom Cullen (“Weekend”), Elias Koteas (“Shutter Island”) and Johnny Harris (“Snow White and the Huntsman”) have all been added to the cast of sci-fi horror “Last Days on Mars.” Thesps join previously…
Raw eggs, confetti and a giant clay phallus are just a few of the stereoscopic missiles hurled in the viewer's direction by "A Very Harold & Kumar 3D Christmas."
Nothing's quite as it seems in "Dream House," an initially teasing variation on the haunted-house movie that pivots in a radically different, uninspired direction.
TV-style biopic reduces South Africa's struggle to the status of an impediment in the blooming romance between Nelson Mandela and his wife Winnie.
A faithful but partly satisfying adaptation of Jim Thompson's great 1952 pulp crime novel.
An exquisite example of calculated execution in pursuit of elusive ideas.