Five films by the new generation of directors from the Arab world — four of them women — will be unveiled on Monday (May 22) at Dubai goes to Cannes, the Cannes Film Market's pix-in-post industry…
Dubai Film Festival
It isn't getting any easier for producers of quality Arab movies to find financing, especially within their region where the only titles that consistently work at the box office are commercial…
The commodification of foreign maids, treated as nonentities, is succinctly exposed in this award-winning look at a chilling reality.
Set in a privileged world of bored housewives, high-stakes gamblers and sadistic hit men, "Nut$" combines violence with wry humor and Spaghetti Western flourishes.
Bollywood's weakness for foreign locales gets the ultimate French twist in "Befikre," a Paris-set contemporary romance about two friends unwilling to admit they're in love.
A spirited and moving profile of an informal, independent group of surfers finding escape from the hopelessness of life in Gaza via that most free-spirited of sports.
Clearly stories from the Yazidi community deserve further cinema exposure, but until then, "The Dark Wind" is a respectable beginning that builds to a certain power.
Sherif El Bendary's feature debut is a buddy film with surrealist touches, crowned by an unexpectedly warm-hearted finale that asserts the primacy of love.
The documentary offers fresh perspectives on Lebanon's scarred history, focusing on a tenacious older man struggling against the sectarianism that's blotted out memories of a more amicable past.
Mohamed Rashad's splintered documentary only fitfully succeeds in illustrating the slogan "the personal is political."
Utilizing populist forms to highlight inequality and injustice, "The Preacher" strips away layers of hypocrisy to show a ruling elite using religion to maintain power.