Adapted from Guillaume Gallienne's well-received one-man show, "Me, Myself and Mum" offers a playful twist on the typical coming-out narrative, in which an effeminate young man is the last to realize…
CANNES -Gallic actor-director Guillaume Gallienne's comic confessional "Me Myself and Mum" topped the 45th Directors' Fortnight, scooping both its Art Cinema Award and the Society of Dramatic Authors…
"We Are What We Are," "Magic Magic" and a Jodorowsky double bill are set to unspool in the Cannes sidebar.
PARIS — Ari Folman's sci-fi drama “The Congress,” his follow-up to “Waltz With Bashir,” will kick off Directors' Fortnight at Cannes on May 16. A hybrid feature mixing live-action and animation…
Edouard Waintrop has been re-upped for a second year as artistic director of Cannes' Directors' Fortnight.
Chilean Pablo Larrain's ''No,'' the first investment by Jeff Skoll's Participant Media in a foreign-language film, swept the top Art Cinema Award at Cannes' 44th Directors' Fortnight.
Michel Gondry's "The We and the I" will kick off the Cannes Film Festival's Directors' Fortnight sidebar, bolstering a slim U.S. presence in a program strong on French and Latin American fare.
Frederic Boyer won't be back as artistic director of Directors' Fortnight in Cannes after many critics deemed his selection this year as disappointing.
The Cannes Film Festival's Directors' Fortnight has unveiled a slate heavy on Euro fare and light on U.S. pics, with only rookie helmer Liza Johnson's "Return" selected.
"Lily Sometimes," directed by France's Fabienne Berthaud, and Belgian Olivier Masset-Depasse's "Illegal" took top kudos at the 42nd Cannes Directors' Fortnight.
Domestic Film DAILY
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