With the announcement of Technicolor's plans to consolidate and expand its Montreal post-production and visual effects operations, Technicolor Digital Productions president Tim Sarnoff spoke to…
"When I first heard that this was being done, I wasn't excited, I was frightened," said George Feltenstein, senior VP of theatrical catalog marketing for Warner Bros. Digital Distribution, says of…
Energized by a youthful cast, Tsui Hark's lavish period actioner proves more cohesive than its overwrought predecessor.
Universal Wednesday notified employees in its feature sound mixing dept. that their jobs will be phased out.
A group of industry experts put the blame for most bad 3D theatrical experiences on outdated exhibition standards and the pressure on exhibitors to control their costs at today's 3D Entertainment…
A look at the color gurus from Sony Colorworks, Technicolor and Company 3.
Cinematographers sometimes work for no pay.
As anyone who follows Variety's tech coverage knows, one of the consequences of the digital revolution is the blurring of traditional job functions.
All four colorists on the Impact list this year are affiliated with Efilm, the digital lab owned by Deluxe that provides digital intermediate, scanning, color timing, film recording and other…
In a move Technicolor says signals a strategic shift in the way it handles color grading and dailies, the lab and post giant has hired digital intermediate colorist Peter Doyle.
Domestic Film DAILY
PROVIDED BY: Box Office
300: Rise of an Empire
300: Rise of an Empire1Daily:$3.9M Cumulative:$48.9M Warner Brothers -66.23%
Mr. Peabody & Sherman
Mr. Peabody & Sherman2Daily:$2.2M Cumulative:$34.4M Fox / DreamWorks Animation -77.26%
Non-Stop3Daily:$1.3M Cumulative:$53.9M Universal Pictures -67.83%