Excerpts from the full interview with "Californication's" cinematographer Mike Weaver.
Complaints about dim 3D projection and worries about how to "save 3D" are finally prompting action -- from one studio, anyway.
In a move Technicolor says signals a strategic shift in the way it handles color grading and dailies, the lab and post giant has hired digital intermediate colorist Peter Doyle.
Much of the excitement around digital filmmaking comes from the ability to work long distance.
More “Color Grading” on Variety.com