Excerpts from the full interview with "Californication's" cinematographer Mike Weaver.
Complaints about dim 3D projection and worries about how to "save 3D" are finally prompting action -- from one studio, anyway.
In a move Technicolor says signals a strategic shift in the way it handles color grading and dailies, the lab and post giant has hired digital intermediate colorist Peter Doyle.
2016-2017 Oscar Predictions
Much of the excitement around digital filmmaking comes from the ability to work long distance.