Barry Levinson has come on board to direct an untitled love story, set in Shanghai and Leningrad, with Shanghai Film Group financing and Mike Medavoy, Rafaella De Laurentiis and Edward McGurn…
Chilean Miners Story
Antonio Banderas will star in “The 33,” based on the true story of the 33 Chilean miners who were rescued after being trapped for 69 days in 2010. Producer Mike Medavoy made the announcement Sunday…
During a week when the TV networks are rolling out their schedules, they are also taking pains to talk about how they are getting off the grid.
2016-2017 Oscar Predictions
- L.A. Film Critics Name ‘Moonlight’ Best Picture — Updating Live
- ‘Sully,’ ‘Patriots Day,’ ‘Deepwater Horizon’ Could Crack Film Editing Oscar Race
- Oscars: ‘Rogue One,’ ‘Suicide Squad,’ ‘Fantastic Beasts’ Advance in Visual Effects Race
- Warren Beatty Honored by Kirk Douglas, Don Cheadle at Santa Barbara Fete
In what looks set to be his third directorial outing, Antonio Banderas will helm love story "Akil," starring his wife, Melanie Griffith.
Tossing together spare parts from "Rio Bravo," "Jackass," NRA promos and vintage muscle-car commercials, this thin, jokey Arnold Schwarzenegger vehicle elevates a back-of-the-bar-napkin script with a…
"The Green Inferno," which begins lensing in New York on Nov. 4, isn't just Eli Roth's first film as a director since 2007's "Hostel: Part II."
Like the forensic lab in which it's set, Oriol Paulo's debut, "The Body," is darkly fascinating, full of secrets and highly polished, if also a little too clinical for comfort.
Patricia Riggen has come on board to direct "The 33," based on the true story of the 33 Chilean miners who were rescued after being trapped for 69 days.
Michael Haneke's most intimate film in nearly a quarter-century, "Amour" relates the tragic final months in a relationship with at least six decades' worth of history.
As an undeniable exercise in third-hand coolness, with nods to spaghetti Westerns and '70s drive-in actioners, "El Gringo" is diverting enough.
"As Luck Would Have It" reps an entertaining but unsubtle satire on the moral confusions of a marketing/media-driven world. .