Toronto Film Review: ‘The Liberator’
This impressively scaled chronicle of the life and times of Simon Bolivar lacks the spark that would make it a great biopic rather than a competent one.
Carlos Acosta
Arts Alliance Brings Royal Opera House to Cinemas
LONDON — European digital cinema company Arts Alliance Media has inked an exclusive deal with the Royal Opera House to distribute live ballets and operas to cinemas worldwide. Commencing this autumn…
Review: ‘The Snitch Cartel’
Colombia's mid-1990s drug barons get the "Scarface" treatment in "The Snitch Cartel," a snazzy, fast-paced pic that's nonetheless somewhat enslaved by the get-rich-quick and crime-doesn't-pay cliches…
Review: ‘Day of the Flowers’
A sweet, sun-bleached but slightly dim fusion of family melodrama, romantic comedy and picture-postcard travelogue, the Havana-set "Day of the Flowers" aims to dance away its script troubles to the…
In the pipeline
New projects from Colombia's creative leaders
Puerto Rico bows one-stop shop for production
Puerto Rico's private and public film sectors have banded together to create a united, one-stop shop to promote local and international productions on the island, which they are launching at the AFM.
Review: ‘Impunity’
Many war-torn countries struggle to find a post-conflict equilibrium between coexistence and accountability. Judging by Juan Jose Lozano and Hollman Morris' docu "Impunity," the Colombian…
Isle’s essential contacts
A quick guide to the key players in the Puerto Rican film industry.
Review: ‘With or Without Love’
Technically polished, fast-moving screwball musical laffer is retrograde hit-and-miss fare.
Review: ‘New York, I Love You’
Ten helmers, each given a formula to shoot a Gotham love story. The results are, well, formulaic.
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