Michael Moore came to Cannes to promo his untitled follow-up to "Fahrenheit 9/11," which he does not see as a sequel, but as a continuation of a series started in 2002 with "Bowling for Columbine."…
Cannes Film Festival
Following a bidding war, Spanish rights on Martin Scorsese's period thriller "Shutter Island," has finally gone to Barcelona-based Manga Films.
Ambitious Indian helmer Pan Nalin has retooled his upcoming "Buddha" as a globally oriented, English-language pic.
Putting sociological elements on an equal footing with drama, Walter Salles and Daniela Thomas look at poor Sao Paulo youth's limited options in "Linha de Passe."
Following "Still Life" and "Useless," documentary and fictional artifice are combined ever more egregiously by Mainland helmer Jia Zhangke in "24 City."
"On War" tries to plunge deep into its heart of darkness and winds up more in the vicinity of its navel.
An industrial pallet-repair operation on the outskirts of Paris becomes a microcosm of Muslim immigrant hopes and tensions in Rabah Ameur-Zaimeche's "Adhen."
The seductive scent of political correctness apparently overwhelmed judgment when "Salt of This Sea" began looking for coin, not to mention a festival berth.
The clash of fundamentalist Islam and Western values as encapsulated by the "blasphemous" Danish cartoons of the Prophet Muhammad is examined at length in "It's Hard Being Loved by Jerks."
"The Chaser" is a grisly serial-killer thriller that develops into a howl of outrage at the ineptitude of the system.