Detente in the Korean peninsula is set back 50 years by "Crossing," a richly lensed but politically black-and-white heart-tugger about refugees from the Nasty North en route to the Sympathetic South.
Cannes Film Festival
Focus Film Intl. has continued its strong Cannes selling spree with a clutch of post-market deals.
Indian entertainment conglom UTV Software Communications struck multiple licensing deals in Cannes.
Domestic Film DAILY
PROVIDED BY: Box Office
The Equalizer1Daily:$3.0M Cumulative:$37.1M Sony / Columbia -63.56%
The Maze Runner
The Maze Runner2Daily:$968,406 Cumulative:$58.9M Fox -77.28%
The Boxtrolls3Daily:$733,441 Cumulative:$18.0M Focus -84.99%
"Home" modestly observes a rural French's family's stubborn bid to stay put as high-speed life -- in the form of a new expressway -- paves the path to eventual displacement.
When a blonde bimbo whose superficial lifestyle hasn't required much in the way of reflection is forced to take a job at the geek shop "Astropia," a transformation takes place.
A naive young man plumbs the depths of sexual humiliation following his idol's death in "I Dreamt Under the Water," an airless feature debut for shutterbug Hormoz. Expanded from his homonymous 2005…
All the building blocks are here, but docu helmer Ibrahim El Batout's second fiction feature has difficulty fitting them together into a cohesive picture.
Eclipsing Steven Soderbergh's "Che" for the dubious distinction of longest movie at the 2008 Cannes Film Festival (and winning by more than 30 minutes), "Now Showing" reps an audacious undertaking by…
"As Simple as That" marks a milestone in current Iranian cinema as a rare realist depiction of a woman from the middle class.
Few ticketbuyers will take joy in "The Pleasure of Being Robbed," Joshua Safdie's pranksterish New York indie portrait of a deeply unsympathetic young distaff hustler.