Zombies are domesticated as house pets and servants in Sabu's self-consciously grungy homage to classic silent horror-thrillers.
Busan Film Festival
This stately but not overwrought Korean production is an elegant vehicle for its strong cast.
Despite its crude scripting, this superbly paced and shot South Korean thriller from writer-director Huh Jung cunningly manipulates our primal fears.
Slow-moving, digressive and implausible, Kim Dong-hyun's eight-course family melodrama has too many trimmings and no real main course.
Stormy weather aside, a strong year for Korean filmmaking and an impressive number of discoveries distinguished the 18th annual Busan fest.
Ahn Seong-kyoung's achingly tender story of an unconventional couple and their cat taps into a wellspring of emotions.
South Korean film "Pascha" and Mongolian-German co-production "Remote Control" shared the top prize at the 18th edition of the Busan International Film Festival. The New Currents third prize went to…
Reigniting the cooling embers of the Busan International Film Festival on Friday was a spirited love-in between Quentin Tarantino and South Korea's Bong Joon-ho.
With its meditations on identity, community and spirituality, this Thai arthouse entry will find favor with audiences that don't mind a mood-over-plot approach.
Prizes at the Busan festival's Asian Project Market were largely kept close to home turf. Four of the nine awards went to Korean projects, a fifth to a remake of a Korean title.
Domestic Film DAILY
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