Terry Gilliam's latest bit of dystopian whimsy dissolves into a muddle of unfunny jokes and half-baked ideas.
Superhero movies have a way of creating movie stars. With a boffo $125 million domestic start, and nearly $72 million so far overseas, Warner Bros.’ “Man of Steel” is the prime star-making vehicle…
Gotham-based distributor Kino Lorber has picked up all U.S. and Canadian rights to “The Rocket,” Kim Mordaunt’s feature that bowed at Berlin and scored a hat-trick of kudos at the Tribeca Film…
Tom Hanks is a natural. Although he hasn’t trod the boards in years, the affable movie star takes to the stage like a fish to water in “Lucky Guy,” Nora Ephron’s affectionate nostalgia piece about…
“The Brass Teapot” company was more than ready to spill their superstitions and beliefs on magic at the March 21 preem at the Arclight. Since the Magnolia pic follows a couple who discover a magical…
Another high-concept romantic comedy from "Heartbreaker" helmer Pascal Chaumeil, this good-looking but structurally problematic pic trots the globe as Diane Kruger tries to convince travel writer…
Shrewd comic instincts keep a formulaic pity-party largely afloat in Shari Springer Berman and Robert Pulcini's fourth feature collaboration.
Nobody does bad taste like John Waters, as bottom-shelf south-of-the-border imitation "Los chidos" proves, peddling shock to scant amusement.
A dead-on-target Thai comedy about a hitman with bad luck, "Friday Killer" moves from raucous irreverence to touching sensitivity on a dime.
A kind-hearted average Joe realizes he's bad luck for all the femmes he dates just when he meets the potential love of his life in "Second Chance."