When Allen Daviau deliberated over the early-period ambiance of Barry Levinson's "Avalon," which is set in Baltimore circa 1948-52, he didn't just consider the look and lighting for the film's…
Whether it has to do with a smaller screen or the traditionally formulaic nature of primetime programming or the tendency of sitcom sets to be lit up like hospital waiting rooms, television has never…
The American Society of Cinematographers has tapped lensers of "CSI: Miami," "CSI," "House," "Smallville" and "Day Break" as finalists for its episodic TV award in noms announced Wednesday.
"Apocalypto" has finally received some kudos recognition. Dean Semler, lenser on the Mel Gibson pic, has received an American Society of Cinematographers nomination for the top feature film award, as…
Ron Howard will receive the American Society of Cinematographers' Board of Governors Award. Nod, bestowed annually upon an individual for "extraordinary contributions to advancing the art of…
The American Society of Cinematographers has tapped Michael Ballhaus as the recipient of its 2007 International Achievement Award.
The American Society of Cinematographers has selected Gerald Hirschfeld to receive its President's Award for his pioneering work in visual effects.
Dion Beebe walked away with top honors Sunday night for his lensing of "Memoirs of a Geisha" at the American Society of Cinematographers' Outstanding Achievement Awards gala, held at the Hyatt…
A quick glance at Sherwood "Woody" Omens' resume reveals a deceptively selective list of credits. He cut his teeth as a d.p. in television before working with two celebrated bigscreen funnymen: Mel…
"Cinematographers are weird, you know? And I'm not just saying that because I am one." Richard Crudo, president of the American Society of Cinematographers, is smiling. Wryly. "Writers? Forget about…