Variety's critics debate the highs and lows of an unusually paranoid and post-apocalyptic summer movie season.
In movie land, three's often good company, but especially when it comes to trilogies.
Ben Affleck is no longer directing a feature version of Stephen King's post-apocalyptic novel "The Stand" for Warner Bros. and CBS Films with “Crazy Heart” director Scott Cooper on board to helm and…
Domestic Film WEEKEND OF
PROVIDED BY: Box Office
The Maze Runner
The Maze Runner1Weekend:$32.5M
A Walk Among the Tombstones
A Walk Among the Tombstones2Weekend:$13.1M
This Is Where I Leave You
This Is Where I Leave You3Weekend:$11.9M
Lionel Baier's period comedy delights in film history, but feels too forced and artificial in its striving for 1970s screwball vibe.
There were media naysayers who acted like Comedy Central was crazy letting Jon Stewart take the summer off to go direct a movie, tapping correspondent John Oliver to fill in for him. “Replacing Mr…
The squarest, clunkiest and certainly loudest movie of Guillermo del Toro's career plays like an extended 3D episode of "Mighty Morphin Power Rangers" on very expensive acid.
With Roland Emmerich opening his latest film, “White House Down,” this weekend, the director shines a timely spotlight on Warner Bros.' big-budget original-concept gamble, “Pacific Rim,” opening July…
Even a proven box office draw can't always prevail over faulty material and iffy collaborators.
A sloppy, sophomoric, sometimes awfully funny horror-comedy hybrid.
M. Night Shyamalan's latest non-happening will prove a litmus test of Will Smith's continued drawing power.