Certain formulas once deemed negligible by Oscar voters are being redefined by helmers who seek to obliterate conventions
Comic thesps chuck the chuckles in favor of dark and stormy nights
When Denzel Washington and Halle Berry made history by winning the top two acting honors in 2002 for their respective turns in "Training Day" and "Monster's Ball," it appeared that the floodgates had…
If documentary kudos are partly dependent on topicality, then "Paradise Lost 3: Purgatory," one of the 15 films that will advance in the Oscars voting process, certainly stands out: The third docu…
With 18 pics submitted, there's a chance of five noms -- and thanks to a new rule, even if fewer than 16 qualify, four can advance. Either way, it's a bigger field than last year's three-way race.
In the riveting opening scene of "Drive," Ryan Gosling's character deftly pilots a getaway car through the dark streets of downtown Los Angeles, with a pulsating, ominous electronic beat behind him.
The astonishingly prolific Alexandre Desplat scored the year's biggest box office hit ("Harry Potter and the Deathly Hallows: Part 2"); one of the year's most acclaimed films ("The Tree of Life")…
Six years ago, composer John Williams tied Alfred Newman's all-time record of 45 nominations in Oscar's music categories. This year, he could set a new high with one or even two more nominations.
The first 10 minutes of Martin Scorsese's latest feature "Hugo" is an overture of sorts.
Although director Cameron Crowe didn't approach Sigur Ros frontman Jonsi about scoring "We Bought a Zoo" until the last day of shooting, in hindsight the choice seems like a foregone conclusion.
Talk about going from the sublime to the ridiculous; British composer Ilan Eshkeri's two most recent scores straddle two very different worlds. . .