ROME – The still-mysterious 1975 murder of Pier Paolo Pasolini, the Italian filmmaker, poet, and novelist known for “The Gospel According to Matthew” and “Salò – or the 120 Days of Sodom,” among…
PARIS– While French industryites are still caught up in a seemingly stalled debate about shaking up the country's digital-phobic release schedule for movies and implementing a new anti-piracy law…
BERLIN - Funny Balloons, the Paris-based company behind two big Berlin arthouse sales hits - 2012's "No," 2013's "Gloria" - has set its largest sales slate ever with movies by Laurent Cantet…
Domestic Film DAILY
PROVIDED BY: Box Office
Guardians of the Galaxy
Guardians of the Galaxy1Daily:$5.8M Cumulative:$281.2M Disney -16.98%
Teenage Mutant Ninja Turtles
Teenage Mutant Ninja Turtles2Daily:$3.7M Cumulative:$166.3M Paramount Pictures -21.00%
If I Stay
If I Stay3Daily:$2.5M Cumulative:$32.3M Warner Brothers / New Line -25.19%
LOCARNO - The stars are aligning for Abel Ferrara's "Pasolini," the U.S. director's chronicle of the last day in the life of Italian Pier Paolo Pasolini, still one of the towering figures of…
Feature projects by some of the world's leading auteurs, including Nanni Moretti, the Dardenne brothers, Abel Ferrara and Volker Schlondorff, are among 34 co-productions to share Euros 10.3 million…
Set in cramped apartments and hole-in-the-wall storefronts in the East Village, Michael M. Bilandic's nanobudget comedy "Happy Life" plays like a poor schlub's "High Fidelity," centered around Keith…
If the world were ending tomorrow, you'd probably want to spend your final hours with better company than the central duo in "4:44 Last Day on Earth."
Represents a messy, tawdry blend of documaking and fiction, all set in and around the city of Naples.
A skittery, rambling but often absorbing portrait of the Chelsea Hotel, pic shuffles together vintage archive footage, scrappy dramatic re-enactments of famous moments at the hotel, and original…
Nicolas Cage will star in an updated version of 1992's "Bad Lieutenant" with Werner Herzog directing, Edward R. Pressman producing and Avi Lerner's Nu Image/Millennium Films financing.