U.S. scribe Skip Woods, whose credits include “X-Men Origins: Wolverine” and “A Good Day to Die Hard,” is set to pen the bigscreen adaptation of epic sci-fi graphic novel “Universal War One.” The…
A Good Day To Die Hard
John Moore, director of "A Good Day to Die Hard," has come on board Africa-set action project "The Englishman" with Foresight Unlimited and Envision Entertainment producing and financing.
Faithful fans and passersby alike should be more than pleased by this superior piece of classical action craftsmanship.
Domestic Film DAILY
PROVIDED BY: Box Office
No Good Deed
No Good Deed1Daily:$1.0M Cumulative:$29.9M Sony / Screen Gems -11.16%
Guardians of the Galaxy
Guardians of the Galaxy2Daily:$557,622 Cumulative:$308.5M Disney -4.92%
Dolphin Tale 2
Dolphin Tale 23Daily:$459,663 Cumulative:$18.1M Warner Brothers -9.19%
Twentieth Century Fox Intl. is the first studio to reach $1 billion in overseas box office grosses so far this year, thanks to such pics as “Life of Pi” and “A Good Day to Die Hard,” as well as a…
The cast continues to grow for Summit's "Divergent" as "A Good Day To Die Hard" star Jai Courtney has joined the cast.
While Stateside turnstiles slowed during Oscar weekend (Feb. 22-24), overseas plexes were relatively busy, thanks mostly to Fox holdover "A Good Day to Die Hard," which claimed its second-consecutive…
It was more of a presidential weekend overseas than at home for Fox's "A Good Day to Die Hard," while Stateside auds showed lots of love for Relativity Media's Nicholas Sparks romance-thriller "Safe…
Holiday Box Office: 'Die Hard' limps to top spot with $38.7 mil; 'Save Haven' surprises with $34 mil
While Presidents Day weekend box office wasn't the expected blowout, down 10% from last year, the long holiday weekend, which began Valentine's Day for some pics, delivered enough date-night movie…
A pair of Valentine's Day heartthrobs -- Relativity Media's "Safe Haven" and Fox's "A Good Day to Die Hard" -- courted different demos Friday to the same tune of $7.2 million.
Russia needs its own John McClane movie the way Uncle Sam needs a bright red babushka, and this subpar sequel feels suspiciously like someone tried to plug McClane into a preexisting, Moscow-set…