J.J. Abrams sets his filmmaking to "stun" with a sequel in every respect equal or even superior to its splendid 2009 predecessor.
The end of print distribution of films brings with it not just the close of an era, but also the potential loss of livelihood for many who work both inside and outside of the entertainment industry.
The conversion of theaters to digital in the U.S. is almost complete, and the end of movies on film is in sight.
Domestic Film DAILY
PROVIDED BY: Box Office
No Good Deed
No Good Deed1Daily:$1.2M Cumulative:$28.9M Sony / Screen Gems -35.29%
Guardians of the Galaxy
Guardians of the Galaxy2Daily:$586,451 Cumulative:$307.9M Disney -24.71%
Dolphin Tale 2
Dolphin Tale 23Daily:$506,166 Cumulative:$17.6M Warner Brothers -28.02%
Romanian-born cinematographer Mihai Malaimare, Jr. used digital formats to shoot "Youth Without Youth," "Tetro," and "Twixt Now and Sunrise" for Francis Ford Coppola.
Five people and firms taking the lead in digital cinema
Paul Thomas Anderson's longtime fascination with souls in extremis achieves a teasing, richly unsettling apotheosis in "The Master."
MADRID -- Adding to its 5,000-title film catalog, Studiocanal has acquired worldwide rights beyond French theatrical and festivals to all Jacques Tati's movies.
The death knell for 35mm film has just gotten a lot louder.