With the announcement of Technicolor's plans to consolidate and expand its Montreal post-production and visual effects operations, Technicolor Digital Productions president Tim Sarnoff spoke to…
The acquisition of Digital Domain 3.0 Saturday by a Hong Kong-based scrap-trading company is in reality just the public face of a complex, long-gestating deal financed by a mysterious Chinese…
Plausibility takes a back seat to laughs in Shannon Plumb's debut feature "Towheads," which works better as a series of well-conceived, impeccably timed and executed physical gags, with light…
Domestic Film DAILY
PROVIDED BY: Box Office
The Equalizer1Daily:$3.6M Cumulative:$40.7M Sony / Columbia 22.26%
The Maze Runner
The Maze Runner2Daily:$1.3M Cumulative:$60.2M Fox 29.30%
The Boxtrolls3Daily:$862,914 Cumulative:$18.9M Focus 17.65%
By midday Monday, as word spread in the visual effects community of that acclaimed vfx studio Rhythm & Hues would declare Chapter 11 bankruptcy, the already-jittery artists wondered who would speak…
This fascinating slice of film history could have a life on cable and in home formats once rights issues pertaining to the material excerpted are resolved. Further fest play is guaranteed.
The Siggraph computer graphics conference earlier this month should have found the visual-effects biz on top of the world: Visual effects blockbusters and CG-animated family pics dominate the annual…
When a nonprofit film producer hits the jackpot at Sundance, filmmakers may benefit, but not in a traditional way.
Compelled to action by issues as diverse as Third World crises and inner-city empowerment, celebs use their influence to make a positive impact.
Artists Public Domain just scored one of the most profitable sales in the history of Sundance. It's celebrating a 10-year anniversary.
New York indie film producers have had a rough time of it over the past three years, but those who've survived the most drastic changes are vets who made their first big splash in the 1990s, and made…