Ben Affleck is Batman. The actor will replace Christian Bale as Bruce Wayne in the upcoming untitled Batman-Superman feature for Warner Bros., the studio announced Thursday. Affleck becomes the…
Ben Press has joined Evolution Talent Management as a manager after 22 years as an agent. Press earned his stripes as an agent at Paradigm and Innovative before he started his own boutique agency…
After Warner Bros. let go of the project, Peter and Bobby Farrelly have found a new home for “Dumb and Dumber To.” Red Granite and Universal Pictures have come on with Red Granite Financing and…
Domestic Film DAILY
PROVIDED BY: Box Office
The Maze Runner
The Maze Runner1Daily:$7.8M Cumulative:$32.5M Fox -42.23%
A Walk Among the Tombstones
A Walk Among the Tombstones2Daily:$2.9M Cumulative:$12.8M Universal Pictures -42.27%
This Is Where I Leave You
This Is Where I Leave You3Daily:$2.7M Cumulative:$11.6M Warner Brothers -44.36%
MADRID — Two of Spain's most powerful film companies, Spain's Apaches Entertainment and Telecinco Cinema, the film arm of Mediaset Espana, won the 2013 Fapae-Rentrak Prize for Juan Antonio Bayona's…
James Franco is looking for $500,000 worth of backers via crowdfunding site Indiegogo to fund “Palo Alto Stories,” three feature films based on pieces from his short story collection about his…
ANNECY– Luiz Bolognesi's feature debut “Rio 2096: A Story of Love and Fury” won the Crystal nod, Annecy's top award, at a ceremony on Saturday. Nod illustrates the flourishing of toon industries in…
The state of Montana touted its filmmaking prowess Friday at the Los Angeles Film Festival with the world premiere of "Winter in the Blood" from director brothers Alex and Andrew Smith.
Loyalty can be hard thing to come by in Hollywood but Joss Whedon is pledging his towards Robert Downey Jr. saying he couldn't imagine himself directing an "Avengers 2" without the actor.
Maintaining a strong acquistions pace, Sundance Selects has acquired North American rights to Clio Barnard's “The Selfish Giant,” following its world premiere in the Directors Fortnight at Cannes…
Unquestionably Jia's most mainstream-friendly work, if also his most schematic and, blades aside, least penetrating.