The history of Frank Zappa's "200 Motels" is much like its composer; enigmatic and riddled with disparate dimensions.
10th Century Fox
Not many things can unite Broadway and non-profit theaters with major league sports and mega-churches. But they're all part of the posse that has banded together for "Pardon the Interruption," a…
The organizers of San Diego’s Comic-Con never intended for Hollywood to steal the spotlight of its annual fanfest for all-things genre related, but it’s clear the studios and TV networks with their…
Thanks to especially strong DVR playback, FX’s “The Bridge” has become FX’s third most-watched series premiere to date. In Nielsen’s Live + 3 data, which is inclusive of viewership done via DVR…
For Broadway's really big hits, the mega-bucks don't come from a show's outpost on the Main Stem – they come from all the title's incarnations around the world. Proving the point: The juggernaut…
Who says July 4 is bad for Broadway box office? Not spring openers "Kinky Boots," "Motown" and "Matilda," which all hit best-yet tallies in a frame that can sometimes be a rough one for Rialto…
With musicals "After Midnight" and "A Night with Janis Joplin" now booked for fall runs, Broadway's singing a familiar song. A whole slew of them, in fact. Catalog musicals — that is, tuners with…
The 1993 romantic comedy "Sleepless in Seattle" has been turned into a stage musical that can best be described as pointless in Pasadena.
You can put away the fogey jokes, because CBS has climbed to the top of Demo Mountain. With as many of the top scripted series among adults 18-49 as its three rivals combined, the Eye has captured…
As with all such carte-blanche extravaganzas (increasingly rare in this cautious Hollywood age), it exudes an undeniable fascination — at least for a while.
Twentieth Century Fox Intl. is the first studio to reach $1 billion in overseas box office grosses so far this year, thanks to such pics as “Life of Pi” and “A Good Day to Die Hard,” as well as a…
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