If Sean Hayes helped break ground on "Will & Grace," all he saves here is the TV-given right to roll out retreads.
From the September 24, 2013 issue of Variety
The show's below-the-belt proclivities certainly don't represent a jarring departure from Monday-night anchor "2 Broke Girls," but these Four Broken-Up Guys race through a pilot that offers little…
"Welcome to the Family" offers precious little reason to roll out the welcome mat.
When Kent Jones took the reins of the New York Film Festival last year from its leader of 25 years, Richard Pena all eyes were focused on how his stewardship would shift the tenor, tone and aesthetic…
No matter how many next-day TV ratings stories I write, I'm still the embodiment of the headache networks and advertisers suffer from these days.
Transmedia may be a nouveau buzzword, but at the New York Film Festival the term sits alongside established genres like documentaries, retrospectives and restored masterpieces in the fest's sidebar…
In his new book "What You Want Is in the Limo," Michael Walker points to the '70s, more specifically 1973, as the year when the screw turned, when Zeppelin, the Who and Alice Cooper went onstage.
The Spark may be one of the smallest vehicles on the road, but Chevrolet has found that a large screen inside is making the car a very big seller.
If there's one element crucial to a successful Hollywood event, it has to be efficient valet parking. You can get the right caterer, the right band — even be entertaining for the right cause, but if…
Three years ago the actor-producer created the Kevin Spacey Foundation to train emerging talent in the performing arts. The foundation enlists experienced mentors and provides scholarships and grants…
Primetime is so overpopulated by petite, model-thin size zeroes it's refreshing to see a protagonist who isn't, especially when it's an ebullient presence like the one Rebel Wilson plays in ABC's…
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