Among the central shifts in the TV landscape is the ability to make programs profitable because a small but loyal audience will pay for them via one platform or another.
From the August 27, 2013 issue of Variety
While Matthew Weiner commands an imperial presence in TV land, he arrives at Toronto as a humble near-first time director, aspiring for some good reviews and, more importantly, for a distributor.
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As soon as we stop vilifying these streaming services and start trumpeting their metrics, the sooner the rest of the world will take music seriously.
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Basking in the glow of the vibrant U.S. indie biz, the 39th Deauville American Film Festival appears to be the key pre-fall launchpad for European distribs with American titles.