Among the central shifts in the TV landscape is the ability to make programs profitable because a small but loyal audience will pay for them via one platform or another.
From the August 27, 2013 issue of Variety
While Matthew Weiner commands an imperial presence in TV land, he arrives at Toronto as a humble near-first time director, aspiring for some good reviews and, more importantly, for a distributor.
While Hollywood continues to feel withdrawal pains from the production exodus, the U.K. is thriving, thanks to a mix of tax incentives and high-quality crews.
Fox, coming off a rough season, is returning to its roots this fall by making a more overt attempt at attracting men.
As soon as we stop vilifying these streaming services and start trumpeting their metrics, the sooner the rest of the world will take music seriously.
"It's about finding a comfort zone. I guess I'm just more comfortable being other people than I am being myself."
Name an iconic John Travolta role. It's hard to single out just one, when there are many characters that have attained the highest rung on the pop culture ladder.
Kevin Hudson, one of two stage managers at Sony Studios, mans all 18 of the lot's stages and checks every morning to see if there are any flaws or potential problems.
If inspired silliness and Internet ubiquity are the controlling factors in this year's Emmy race, then Jimmy Kimmel just might be able to break "The Daily Show With Jon Stewart" stranglehold on the…
Basking in the glow of the vibrant U.S. indie biz, the 39th Deauville American Film Festival appears to be the key pre-fall launchpad for European distribs with American titles.
Domestic Film WEEKEND OF
PROVIDED BY: Box Office
300: Rise of an Empire
300: Rise of an Empire1Weekend:$45.1M
Mr. Peabody & Sherman
Mr. Peabody & Sherman2Weekend:$32.5M
Non-Stop3Weekend:$15.4M Universal Pictures