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Shah Rukh Khan and Deepika Padukone are ill matched in this overworked comedy/romance/actioner.
An underwhelming omnibus pic that offers a tribute to 100 years of Indian cinema.
The sudden disappearance of an IT contractor in Kolkata triggers a riveting, labyrinthine puzzle, replete with duplicitous spy shenanigans, in "Kahaani."
During a bus ride from the mountains of eastern Nepal to Kathmandu, the stories of a group of passengers intertwine.
"7 Sins Forgiven" is a delightfully wicked romp tracking a woman through seven husbands and seven untimely deaths.
Broad gags cover a multitude of sins in the rambunctious Indian heist comedy "Tees Maar Khan."
As a comeback vehicle for onetime Bollywood diva Madhuri Dixit, "Aaja nachle" is only so-so fare, but as an undemanding slice of masala entertainment, it's more than worthy of the Yash Raj quality…
"Masala to the max" would be a fitting tagline for "Om Shanti Om," ace choreographer Farah Khan's sophomore stint as director following her socko 2004 hit, "Main hoon na."
Bollywood meets the Bard in "Maqbool," a transposition of Shakespeare's "Macbeth" to the criminal denizens of modern Mumbai that's a clever idea but doesn't grip as a pure gangster yarn. Less…
The same basic story of a heist betrayed from within completes its tour of the globe with Sanjay Gupta's "Kaante," the Bollywood reinterpretation of Quentin Tarantino's 1992 "Reservoir Dogs," itself…