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: Untitled Faxon, Rash, and Walsh Co.
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|Film Title||Companies||Job Title||Company||Status||Release Date|
|WAY, WAY BACK, THE|
The Walsh Company
|Cast||Completed||July 05, 2013|
|TV Title||Networks||Job Title||Company||Status||Season|
|TROPHY WIFE||ABC||Guest Star||Completed||2013-2014|
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Latest Headlines: Nat Faxon
“Don't Trust the B— in Apt 23’s” Nahnatchka Khan and Corey Nickerson have another dark comedy in the works. Fox has ordered their pilot “Fatrick,” about a thirtysomething moving man named Patrick who…
Nat Faxon and Jim Rash had never directed a feature before they co-helmed "The Way, Way Back." The duo were known primarily as actors — Faxon starred on Fox's "Ben and Kate," Rash on NBC's…
Since the story behind the coming-of-age film "The Way Way Back" is about an awkward teen on vacation, its makers and guests had adolescent angst in mind at a June 29 screening in the Hamptons…
The Los Angeles Film Festival kicks off Thursday, with Pedro Almodovar's “I'm So Excited!” raising the curtain, and Nat Faxon and Jim Rash's “The Way, Way Back,” bringing it down. In between, the…
Greer will be the female lead opposite Nat Faxon in the untitled FX comedy pilot from Andrew Gurland.
Fox Searchlight is getting back in business with "The Way, Way Back" team of Nat Faxon and Jim Rash, acquiring an untitled pitch from the Oscar-winning writing duo to write and possibly direct.
This coming-of-ager can be explosively funny in parts, but overall feels pretty familiar, relying more on its cast than the material to win favor.
Richard Linklater's "Before Midnight," Michael Winterbottom's "The Look of Love," David Gordon Green's "Prince Avalanche," Park Chan-wook's "Stoker" and first-timer Joseph Gordon-Levitt's "Don Jon's…
Liam James, who plays Mireille Enos' son on AMC's "The Killing," has landed the coveted lead role in the coming-of-age indie "The Way, Way Back," which marks the directorial debut of "The…
Nat Faxon and Jim Rash feel like they're in good company among this year's screenplay nominees.
"People are reacting to the absence of melodrama and how some movies delve into a syrupy and false emotion. Alexander does a great job of avoiding that by pulling back on scenes." -- Nat Faxon…