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: Revolution Films
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|Film Title||Companies||Job Title||Company||Status||Release Date|
|Director, Credited Writer||Completed||November 22, 2013|
|LOOK OF LOVE, THE|
Baby Cow Films
|Director||Completed||July 05, 2013|
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Latest Headlines: Michael Winterbottom
Director Michael Winterbottom and producer Andrew Eaton's production company, Revolution Films, has bought the film rights to Andrew Croker's comedy-thriller novel about tabloid journalism, "Three in…
Michael Winterbottom is in talks to direct the comedy “Russ & Roger Go Beyond” starring Will Ferrell. Bob Simonds’ STX Entertainment will finance and distribute the pic, which is based on the true…
Michael Winterbottom’s 2011 film “The Trip” starred Steve Coogan and Rob Brydon as two chums roadtripping through the United Kingdom, ostensibly writing restaurant reviews for the Observer newspaper…
LONDON — Rising star Sai Bennett, who appears in ITV’s period drama “Mr Selfridge,” will feature in Michael Winterbottom's hotly anticipated film “The Face of an Angel,” which uses an Amanda…
LONDON — Variety has been granted exclusive access to a clip from the promo reel of Michael Winterbottom’s psychological thriller "The Face of an Angel," which is inspired by the Amanda Knox case. It…
The dynamic duo of Steve Coogan and Rob Brydon return for another hugely entertaining round of travel and food porn in "The Trip to Italy."
Michael Winterbottom, Marjane Satrapi and Gareth Evans are among the many international names headed to Park City in January.
The 34th Durban Intl. Film Festival has cancelled a screening of the Michael Winterbottom film “The Look of Love” because it has not yet been classified by the South Africa Film and Publication…
Michael Winterbottom and Steve Coogan's fourth feature collaboration is a vivid period whirlwind that impressively showcases the comic thesp's more dramatic side.
Australian Cate Shortland's coming-of-ager "Lore" nabbed four prizes at the 23rd Stockholm Film Festival on Saturday including the Bronze Horse for film.
Michael Winterbottom offers a fitfully engaging attempt by the ever-experimental director to challenge the way cinema deals with stories of duration by shooting in sequence over a span of five years.