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Cinematic excess is harnessed to savagely entertaining satirical effect in Javier Fesser's dazzling, idiosyncratic "Camino," which manages to mix styles and genres without losing its way.
After a soulful ballad in which Ella laments her father's loss, evil stepmama Dahlia (played with exquisite relish by Yvette Cason) exults to a more funkified tune in "I Got the Money." That segues…