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MADRID — Proving there is still an arthouse market in Spain, however contracted in size, Golem has tied down Spanish rights to Ari Folman's Cannes Directors' Fortnight opener "The Congress," Bertrand…
“I don’t think I can hold on much longer,” groans a soldier in “Death March,” and his sentiment is likely to be echoed by the small audience for Adolfo Borinaga Alix Jr.’s gruelingly abstract and…

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