The titular central character never really comes into focus in Yolande Moreau's straightforward but uninvolving solo-directing debut.
Cannes Film Festival
An utterly brazen mix of screwball comedy, film noir and sharp social commentary that hits its own strange bullseye more often than not.
Variety's critics agree to disagree on the best and worst of the fest's 66th edition.
Capping its active Cannes buying, Sundance Selects has acquired U.S. rights to Hirokazu Kore-eda's Cannes Jury Prize winner "Like Father, Like Son" from Wild Bunch.
CANNES -- "Blue Is the Warmest Color," Abdellatif Kechiche's sweeping and sexually explicit drama about a French teenage girl's love affair with another woman, received the Palme d'Or at the 66th…
The main prizes of the Cannes Film Festival were handed out by Steven Spielberg's jury on Sunday night.
Sarah may prefer to run, but she doesn't get anywhere particularly notable in this determinedly flat character study from debuting Quebecois writer-director Chloe Robichaud. Sophie Desmarais gives a…
The unhealed wounds of post-apartheid South Africa get a brutal but superficial once-over in Jerome Salle's savagely violent cop thriller.
Another demanding and deeply rewarding investigation into the Holocaust from documentarian Claude Lanzmann.
Roman Polanski once again transfers a New York stage hit to the screen with maximum fidelity and facility, and a minimum of fuss.
Domestic Film DAILY
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