Two modes of realism compete for attention in Chinese arthouse helmer-scribe Wang Chao's "Fantasia," a glum yarn about a working-class family derailed by the breadwinner's illness.
Cannes Film Festival
The annual amfAR auction at the Hotel du Cap-Eden-Roc outside of Cannes is known for its extravagant auctions on behalf of AIDS research, but this year the charity event shot into outer space…
With "National Gallery," documentary helmer Frederick Wiseman expands his focus from chronicling the day-to-day of U.S. institutions to include the famous London art museum. It is his third film to…
Domestic Film DAILY
PROVIDED BY: Box Office
The Maze Runner
The Maze Runner1Daily:$1.9M Cumulative:$34.4M Fox -76.03%
A Walk Among the Tombstones
A Walk Among the Tombstones2Daily:$962,590 Cumulative:$13.7M Universal Pictures -67.12%
This Is Where I Leave You
This Is Where I Leave You3Daily:$864,209 Cumulative:$12.4M Warner Brothers -68.56%
CANNES — The International Federation of Film Critics (Fipresci) awarded its prize for the best film in Cannes' competition section on Friday to Nuri Bilge Ceylan's "Winter Sleep," confirming the…
"Les Combattants" (Love At First Fight), the feature debut of France's Thomas Cailley, has won the Europa Cinemas Label as best European film in Cannes' 2014 Directors' Fortnight. Movie is sold at…
Though deceptively casual on its surface, "Clouds of Sils Maria" represents a multi-layered, femme-driven meta-fiction in which all involved -- including next-gen starlets Kristen Stewart and Chloe…
Four films from Argentine helmers — Damian Szifron's "Wild Tales," Pablo Fendrik's "El Ardor," Lisandro Alonso's "Jauja," and Pablo Lerman's "Refugiado" — were selected for Cannes. Four more movies…
CANNES — Open Road has set a U.S. release dates of Feb. 20 for the Silver Pictures Sean Penn starrer "The Gunman." Euro film/TV group Studiocanal, which also financed and sold internationally "The…
In "Leviathan," which director Andrey Zvyagintsev has described as a loose retelling of the Book of Job, an ordinary man must wrestle with his faith not in God but in the Russian state.
Thomas Lilti draws on his own medical experience in this low-key comedy-drama.