"Ain't Them Bodies Saints" stars Casey Affleck and Rooney Mara discuss the IFC drama at the Variety Studio in Cannes.
Cannes Film Festival
A deeply inconsequential Gallic-Israel semi-comic collaboration.
"Carlos" helmer Olivier Assayas is set to shoot his first film in the U.S. -- "Hubris," an action-packed crime thriller set against the backdrop of organized crime in Chicago in the 1970s.
Domestic Film DAILY
PROVIDED BY: Box Office
The Equalizer1Daily:$3.0M Cumulative:$37.1M Sony / Columbia -63.56%
The Maze Runner
The Maze Runner2Daily:$968,406 Cumulative:$58.9M Fox -77.28%
The Boxtrolls3Daily:$733,441 Cumulative:$18.0M Focus -84.99%
A searingly intimate character study marked by the most explosively graphic lesbian sex scenes in recent memory.
When Danish auteur Nicolas Winding Refn brought his Ryan Gosling-starring thriller “Drive” to the Cannes competition two years ago, he earned largely rave reviews and a directing prize. It remains to…
A worthy but faintly dull civics/history lesson directed by Stephen Frears at his most televisual.
CANNES — Amat Escalante's Cannes Competition contender "Heli," a portrait of the impact of Mexico's drug wars on a poor Mexican family, has rolled out initial sales at Cannes. In deals struck through…
Pushing a growing export asset for the region, Ventana Sur, Latin America's biggest film market, will add a genre pic mart, Blood Window, to its 5th edition, which unspools in Buenos Aires Dec.3-6.
J.C. Chandor avoids the sophomore slump with an impressively spare, nearly dialogue-free stranded-at-sea drama starring a superb Robert Redford.
Kristin Scott Thomas easily upstages Ryan Gosling's near-catatonic turn in this reunion of "Drive" director and star.