Never a Dull Moment doesn't always live up to its title in telling the story of a smooth femme songwriter who falls in love with a western rancher and goes to his impoverished acreage to make a home…
Cairo Road is a so-so thriller dealing with dope smugglers. Action moves slowly in the first half and much of the story is veiled so as to obscure the plot. However, it winds up with a meaty climax…
Treasure Island, Robert Louis Stevenson's classic, has been handsomely mounted by Walt Disney. Settings are sumptuous and a British cast headed by American moppet Bobby Driscoll faithfully recaptures…
A generous sprinkling of songs, dances and comedy makes Tea for Two the type of beguiling musical nonsense that practically always finds a ready reception. It wears its Technicolor dress well, the…
Metro has quite a spectacle, but not much else, in this version of Rudyard Kipling's Kim. The story of youthful adventure in India comes to the screen as rambling, overlength, spotty entertainment.
Beginning is a bit too cryptic for quick understanding, but when plotline [adapted by Cyril Hume from a suggested story by Lawrence Taylor] does take shape, the story builds and holds attention…
Let there be no illusions about The Mudlark. It is not a great picture. But it is a good one.
A breezy style brightens up the drama in Right Cross and makes it good entertainment.
Devil's Doorway is an odd title to hang on this action drama about injustices to the Indians back in the days when the United States was a young nation and spreading its wings westward.
Thelma Jordon unfolds as an interesting, femme-slanted melodrama, told with a lot of restrained excitement.