The Last Days of Pompeii is a spectacle picture, full of action and holds a good tempo throughout.
Same deficiency as in the play [by Joseph Schrank and Philip Dunning] occurs - the obvious. The farcical situations telegraph each ensuing denouement yards ahead. But the same fast and furious tempo…
Story framed around Earl Derr Biggers' Chinese crime snooper taking a flyer among the tombs of the Pharaohs and the outcome has all that it takes to satiate the general run of mystery addicts…
A sockeroo woman's picture. Has Fredric March, Merle Oberon and Herbert Marshall and a forthright sentimental romance, well directed by Sidney Franklin to sustain almost every element [of the play by…
Kind Lady, which had a moderate run as a legit show [by Edward Chodorov, from a story by Hugh Walpole] in New York, has been transferred to the screen with Aline MacMahon and Basil Rathbone in prime…
Story [by James Kevin McGuinness] is a rather serious grand opera satire in which the comics conspire to get a pair of Italian singers a break over here. For their foils the Marxes have Walter King…
Full of atmosphere, intensely tragic, studded with artistic touches of direction, acting and photography, it's the filming of the story behind a rural police case [from an idea by J. Levert]. Takes…
Ruth Rose adapted H. Rider Haggard's novel and did a smooth job. Story blame belongs with the basic yarn and not with the treatment. There are scenes that skirt the twilight zone of the horse laugh.
Jessie Matthews' admirers will love to see her rise from her humdrum niche in a dressmaking establishment to the giddy heights of thespian glory.
The Informer is forcefully and intelligently written, directed and acted. Story [by Liam O'Flaherty] deals with the Irish rebellion against British authority prior to 1922, when the Irish Free…
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