In We Were Strangers, John Huston has come up with a finished job of directing that edges close to his best films. It's chiefly a suspenseful and hard-driving adaptation of Robert Sylvester's novel…
Starring Gary Cooper, Task Force glorifies the birth and development of the American aircraft carrier, up to the part it played in the Second World War.
Despite a rather weak title, House of Strangers is a strong picture. Edward G. Robinson plays a New York eastside Italian banker who switches from barbering to money-lending when he discovers the…
There has rarely been a more faithful adaptation of an original, with the exception of the ending, which was added at the request of the censor.
The pep, enthusiasm and apparent fun the makers of On the Town had in putting it together comes through to the audience and gives the picture its best asset.
Adapted from a Ring Lardner short story of the same title, Champion is a stark, realistic study of the boxing rackets and the degeneracy of a prizefighter.
The Glass Mountain has a theme inspired by a legend of the mountains in the Dolomites.
Metro has combined a star constellation for its unstinting re-make of Louisa May Alcott's Little Women, the old-lace classic of a quartet of daughters and their strivings in Civil War years.
The rise and fall of a backwoods political messiah, and the mark he left on the American scene, is given graphic celluloid treatment in All the King's Men.
Wake of the Red Witch, with its Polynesian locale, is replete with action, drama and adventure. Story is a gripping account of deadly rivalry between two men. Struggle between John Wayne, an…