Beginning is a bit too cryptic for quick understanding, but when plotline [adapted by Cyril Hume from a suggested story by Lawrence Taylor] does take shape, the story builds and holds attention…
Let there be no illusions about The Mudlark. It is not a great picture. But it is a good one.
A breezy style brightens up the drama in Right Cross and makes it good entertainment.
Devil's Doorway is an odd title to hang on this action drama about injustices to the Indians back in the days when the United States was a young nation and spreading its wings westward.
Thelma Jordon unfolds as an interesting, femme-slanted melodrama, told with a lot of restrained excitement.
Nancy Goes to Rio is all that a light, glittering musical should be. Producer Joe Pasternak has framed his production with nine tunes and a group of production numbers.
Cag; Editor makes a stab at objective reporting of life in a women's prison. A grim, unrelieved study of cause and effect, it adds up to very drab entertainment, unleavened with any measure of…
A biopic of the songwriting team of Harry Ruby and Bert Kalmar, the picture is a charmful, entertaining cavalcade of show business which spans their years together. Yarn, while doing the usual glossy…
Lex Barker, as Tarzan, takes to the jungle on the trail of some femme natives who are being held prisoners by a group of lost tribesmen [led by Hurd Hatfield]. With him on the trek are a doctor…
Key to the City is a noisy, wise-cracking comedy. Dialog is flip and pseudo-sophisticated, proper for telling the plot of a quickie romance that is bred at a mayors' convention in San Francisco…