Endemol founder Joop van den Ende and his former colleague at the reality show giant, Hubert Deitmers, have set up venture capital firm Van den Ende & Deitmers with €150 million ($181.43 million) to…
The hoopla of NATPE is one thing; the moolah is quite another. It's what takes place behind the scenes at the three-day trade show, which opens Tuesday, that really matters, not the glad-handing and…
Columbia Pictures' adaptation of "The Da Vinci Code" will open this year's Cannes Film Festival on May 17 out of competition. Artistic director Thierry Fremaux traveled to L.A., where he nabbed the…
Domestic Film DAILY
PROVIDED BY: Box Office
The Equalizer1Daily:$3.6M Cumulative:$40.7M Sony / Columbia 22.26%
The Maze Runner
The Maze Runner2Daily:$1.3M Cumulative:$60.2M Fox 29.30%
The Boxtrolls3Daily:$862,914 Cumulative:$18.9M Focus 17.65%
BBC America has secured the exclusive broadcast rights for the British Academy Film Awards. Due to air Feb. 19 at 8 p.m., the show will be hosted by writer-thesp Stephen Fry.
Sony's Screen Gems horror pic "Underworld: Evolution" sunk its teeth into a boffo $27.6 million over the weekend, dominating a full slate at the box office. While "Brokeback Mountain" was expanding…
Hollywood-based entrepreneurs David Bergstein and Ron Tutor have completed their long-expected purchase of U.K. sales company Capitol Films. Bergstein and Tutor will merge their production outfit…
Forget the usual kitchen appliance infomercials. One of the candidates in Mexico's July presidential election is getting around political broadcast rules by selling himself in weekday 30-minute spots.
Road grosses dipped slightly in Week 33 (Jan. 9-15), down 3.49% to $10,495,025. Unlike last week, there were no record breakers, although "The Lion King's" Gazelle tour ended its run in Virginia…
Aussie films made up just 1.3% of the B.O. in 2004, and while the 2005 figure is likely double that, even 3% is hardly a figure to brag about.
Once-sleepy Sundance continues to act as a snowball for more media attention each year. But the once-zealously independent fest has become an even bigger magnet for marketers and the pop press.