Markets & Festivals

Women's director

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With her latest film, “Little Women,” garnering three Academy Award nominations and nearly $50 million at the U.S. box office, Australian director Gillian Armstrong has achieved the breakthrough…

BIG CABLERS: MORE IS MORE

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Executives of the big MSOs say they're convinced that the more networks a cable operator owns the better off it will be in the long run, particularly as other distribution mechanisms such as…

Seeking stuff to develop

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Tim Read is a talent spotter who's in the enviable position of having A$10 million ($7.3 million) to invest in projects and creative individuals each year. “We're in the discovery business,” says…

Majors see gains Down Under

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Australia ranks as the No. 6 theatrical market for the U.S. majors outside North America, and chances are it will climb higher. Every major distributor foresees substantial growth again this year in…

Commission boss' role key

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When foreign distribs and sales companies want to check on promising Australian film projects or emerging directors, almost invariably they call Sue Murray. As the Australian Film Commission's…

HACHETTE STATESIDE

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While many French companies nurse a love-hate relationship with Hollywood, Hachette Premiere has quietly decided to make the big step. The company, which produced “Cyrano de Bergerac” and Jean-Paul…

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Marketplace

VScore

Domestic Film DAILY

PROVIDED BY: Box Office

  1. 1

    Heaven is for Real

    Daily Gross:$1.9M

    Cume to04.23.14: $36.4M

    Heaven is for Real

    1
    Daily:$1.9M Cumulative:$36.4M Sony / TriStar -23.22%
  2. 2

    Captain America: The Winter Soldier

    Daily Gross:$1.8M

    Cume to04.23.14: $207.1M

    Captain America: The Winter Soldier

    2
    Daily:$1.8M Cumulative:$207.1M Disney -19.58%
  3. 3

    Rio 2

    Daily Gross:$1.5M

    Cume to04.23.14: $81.2M

    Rio 2

    3
    Daily:$1.5M Cumulative:$81.2M Fox -21.74%

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