Markets & Festivals

• Film
• 05.25.13 | 06:50PM PT

Cannes Film Review: 'Sarah Prefers to Run'

By Justin Chang

Sarah may prefer to run, but she doesn't get anywhere particularly notable in this determinedly flat character study from debuting Quebecois writer-director Chloe Robichaud. Sophie Desmarais gives a p…

• Film
• 05.25.13 | 05:56PM PT

Cannes: Palme d'Or Race Looks Wide-Open

By Justin Chang

"Blue Is the Warmest Color," "Inside Llewyn Davis" and "Like Father, Like Son" are among the awards possibilities being talked up in an unusually wide-open Cannes year.

• Film
• 05.25.13 | 03:01PM PT

Cannes Film Review: 'Zulu'

By Justin Chang

The unhealed wounds of post-apartheid South Africa get a brutal but superficial once-over in Jerome Salle's savagely violent cop thriller.

• 05.25.13 | 02:56PM PT

Cannes Film Review: 'The Last of the Unjust'

By Rob Nelson

Another demanding and deeply rewarding investigation into the Holocaust from documentarian Claude Lanzmann.

• Film
• 05.25.13 | 02:43PM PT

Cannes Film Review: 'Venus in Fur'

By Scott Foundas

Roman Polanski once again transfers a New York stage hit to the screen with maximum fidelity and facility, and a minimum of fuss.

• Film
• 05.25.13 | 10:12AM PT

Cannes Film Review: 'Les Apaches'

By Peter Debruge

If Larry Clark went to the French island of Corsica and made a film, it might look an awful lot like this sexy adolescent thriller.

• Film
• 05.24.13 | 05:24PM PT

Cannes Palm Dog Award Goes to Liberace's Blind Poodle

By Pat Saperstein

Baby Boy, the partially-sighted poodle who appears in “Behind the Candelabra,” has been named the top dog of the Cannes Film Festival as winner of the Palm Dog award. Judged by film critics, the prize…

SEE ALSO: Cannes Film Review: 'Behind the Candelabra'

• Film
• 05.24.13 | 05:11PM PT

Cannes Festival Review: '3X3D'

By Peter Debruge

Stereoscopic cinema desperately needs some wild, artistic directors to experiment with the format, though this clumsy omnibus amounts to little more than a vanity commission by the town of Guimaraes…

• Film
• 05.24.13 | 05:10PM PT

Sony Classics Picks Up Jim Jarmusch's 'Only Lovers Left Alive'

By Dave McNary

Sony Pictures Classics has acquired all North American rights to Jim Jarmusch's vampire drama “Only Lovers Left Alive” on the eve of its world premiere at Cannes in competition. Tilda Swinton, Tom Hid…

SEE ALSO: Cannes Film Review: 'Only Lovers Left Alive'

• Film
• 05.24.13 | 04:56PM PT

Cannes Film Review: 'The Owners'

By Leslie Felperin

Class conflict is slyly dissected in "The Owners," a compact Argentinean comedy-drama that reps the feature debut of writing-helming duo Agustin Toscano and Ezequiel Radusky, known mostly for their…