Despite its period time frame, when "Public Enemies" was first announced as Michael Mann's next feature, many people thought to compare it to another Mann crime saga, "Heat."
The film score of "The Young Victoria" exudes a certain regal yet romantic air. You'd never expect that the same composer scored "Ninja Assassin" and "Kick-Ass."
For first-time film composer Mark Bradshaw, the job of scoring Jane Campion's ethereal period pic "Bright Star" began with words rather than notes on a page.
When noteworthy recording artists pen songs for films, it's an opportunity for them to flex their creative muscles and brand themselves in another arena, but rarely do you hear about a hired…
James Horner put in 15-hour days, six days a week, from March into November scoring James Cameron's "Avatar." "Draining" was his one-word explanation of a process that has required him to score…
With Paramount's "Star Trek" and Disney/Pixar's "Up," Michael Giacchino continues to demonstrate his flair for crafting robust themes so evocative and so memorable that moviegoers can take them home…
Rolfe Kent's jazzy score for "Sideways" provided the perfect accompaniment to a story about two guys on a semi-improvisational trip.
New Orleans in the early part of the 20th century - the setting of Disney's animated "The Princess and the Frog" - is territory that composer Randy Newman has trod before.
Comedian Kumail Nanjiani will host IFP's Gotham Awards ceremony on Nov. 30.
Anastasios Soulis has been awarded this year's L'Oreal Paris Rising Star Award
The American Society of Cinematographers has tapped John C. Flinn III to receive its career achievement in television nod.