Awards

  • Film

Director / the analysis

By

If 2003 seems to be shaping up as the year of the big studio production, the filmmakers vying for the director Oscar offer a diversity of styles that defies easy summation. For example, Peter…

Data

Domestic Film DAILY

PROVIDED BY: Box Office

  1. 1

    The Equalizer

    Daily Gross:$3.0M

    Cume to09.29.14: $37.1M

    The Equalizer

    1
    Daily:$3.0M Cumulative:$37.1M Sony / Columbia -63.56%
  2. 2

    The Maze Runner

    Daily Gross:$968,406

    Cume to09.29.14: $58.9M

    The Maze Runner

    2
    Daily:$968,406 Cumulative:$58.9M Fox -77.28%
  3. 3

    The Boxtrolls

    Daily Gross:$733,441

    Cume to09.29.14: $18.0M

    The Boxtrolls

    3
    Daily:$733,441 Cumulative:$18.0M Focus -84.99%

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Data provided by:

Marketplace

  • Film

Performance anxiety

By

If the 2003 Academy Award nominations tell us anything, it's that actors definitely have minds of their own. Rarely in Oscar history has there been such a disconnection between the thesps and the…

  • Film

Song / the analysis

By

Last year's hip-hop upset win of "Lose Yourself" by Eminem in the original song category threw the Academy's usual soft-rock taste out the window, but the lack of a similarly divergent act this year…

  • Film

Visionary discussion

By

In many ways, they couldn't be more different: cool, even-keeled Clint Eastwood; earthy, approachable Peter Jackson; New York-style intellectual Gary Ross; charming conversationalist Peter Weir; and…

  1. 1
  2. 1,513
  3. 1,514
  4. 1,515
  5. 1,516
  6. 1,517
  7. 1,849