Those looking to find a link between the 10 women -- well, one not-quite woman in 13-year-old Keisha Castle-Hughes -- who are up this year for performing Oscars could begin with a single word…
1970 1974: “The Way We Were” from “The Way We Were,” Music by Marvin Hamlisch; Lyrics by Alan Bergman and Marilyn Bergman 1975: “We May Never Love Like This Again” from “The Towering Inferno,” Music…
1960 1968: “Camelot,” Art Direction: John Truscott, Edward Carrere; Set Decoration: John W. Brown 1969: “Oliver!,” Art Direction: John Box, Terence Marsh; Set Decoration: Vernon Dixon, Ken…
Domestic Film WEEKEND OF
PROVIDED BY: Box Office
The Maze Runner
The Maze Runner1Weekend:$32.5M
A Walk Among the Tombstones
A Walk Among the Tombstones2Weekend:$13.1M
This Is Where I Leave You
This Is Where I Leave You3Weekend:$11.9M
Mostly seduced by costume epics set against the backdrop of war, the American Society of Cinematographers instead chose an underdog, "Seabiscuit" d.p. John Schwartzman, for its top kudos at its…
While Oscar campaigners promote their films under the watchful eye of the Academy, Blighty's academy rules, or rather the complete lack of them, would make Hollywood drool.
Want a first-hand account of the first BAFTA ceremony, more than five decades ago? That depends on which one you regard as first and finding someone whose memory bank can be accurately accessed.
One barometer of an award show's heat is the number of soirees and subsidiary events that spring up around it.
The British Academy Film Awards can be hard for Hollywood people to get their heads around. The identity of the membership, the complexity of the voting system and the ultimate significance of the…
First the Oscar date change and then Screener Wars. This has definitely been a testing year for the British Academy Film Awards.
It was every award show producer's nightmare. With less than 30 minutes to go before show time, a backstage accident had smashed a BAFTA trophy.