Awards

  • TV

Marathon management

By

Creating a hit drama skein is hard enough. But once a show clicks, the work is just starting. For a showrunner and a network, sustaining a program's success -- and ratings -- is a whole new challenge.

Data

Domestic Film DAILY

PROVIDED BY: Box Office

  1. 1

    The Maze Runner

    Daily Gross:$1.9M

    Cume to09.22.14: $34.4M

    The Maze Runner

    1
    Daily:$1.9M Cumulative:$34.4M Fox -76.03%
  2. 2

    A Walk Among the Tombstones

    Daily Gross:$962,590

    Cume to09.22.14: $13.7M

    A Walk Among the Tombstones

    2
    Daily:$962,590 Cumulative:$13.7M Universal Pictures -67.12%
  3. 3

    This Is Where I Leave You

    Daily Gross:$864,209

    Cume to09.22.14: $12.4M

    This Is Where I Leave You

    3
    Daily:$864,209 Cumulative:$12.4M Warner Brothers -68.56%

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Data provided by:

Marketplace

  • TV

Las Vegas

By

What happens in Vegas stays in Vegas -- unless you want millions of people to see it. Then you've got to come up with a combo of flash, substance, drama and action to get audiences to tune in every…

  • TV

Carnivale

By

An apocalyptic tale set in the Dust Bowl that blends elements of "Twin Peaks," "The Exorcist" and "The Grapes of Wrath" doesn't seem a good fit for a pay cabler with an acumen for urban-based dramas…

  • TV

Deadwood

By

When David Milch was co-creating "NYPD Blue" with Steven Bochco in 1993, the pair saw it as an opportunity to push boundaries, while keeping true to the job of the men and women in blue. Network…

  • TV

Striking the right note

By

Some of TV's most memorable music has been written for half-hour comedies: Think Earle Hagen's whistling intro for "The Andy Griffith Show," Vic Mizzy's kooky, spooky harpsichord in "The Addams…

  1. 1
  2. 1,481
  3. 1,482
  4. 1,483
  5. 1,484
  6. 1,485
  7. 1,847